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X-MEN (1963-2011) #126
CBCS NM: 9.4
(Stock Image)
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PUBLISHER: Marvel
COMMENTS: white pgs
Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
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DESCRIPTION
white pgs
Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)



Artists Information

David Emmett Cockrum was an American comics artist known for his co-creation of the new X-Men characters Nightcrawler, Storm, and Colossus as well as the antiheroine Black Cat. Cockrum was a prolific and inventive costume designer who updated the uniforms of the Legion of Super-Heroes. He did the same for the new X-Men and many of their antagonists in the 1970s and early 1980s.

Terry Kevin Austin is an American comic book artist who is best known for his exceptional inking talents. Austin’s inking — especially in the period of the 1970s and early 1980s — is notable for its smooth, precise rendering; and extremely detailed backgrounds, making his embellishing work easily identifiable. His style has been highly influential on a subsequent generation of inkers including Al Gordon, Andy Lanning, Scott Williams and Rob Liefeld. Austin grew up in Detroit, Michigan and attended Wayne State University. He started inking comics as an assistant to Dick Giordano and Neal Adams, doing “Crusty Bunker” work for Adams’ Continuity Associates. Austin came to prominence in 1976–1977, inking Marshall Rogers’ pencils on a celebrated run of Batman stories for DC Comics’ Detective Comics collaborating with writer Steve Englehart. During this same period, Austin inked Michael Netzer (Nasser) on DC’s Martian Manhunter in Adventure Comics and Green Arrow/Black Canary in World’s Finest Comics, as well as Al Milgrom on Marvel Comics’ Captain Marvel. He later teamed with Rogers again on Marvel’s Doctor Strange. X-Men In 1977, Austin and penciler John Byrne became the new art team on Uncanny X-Men. With writer Chris Claremont they produced a series of stories — particularly “The Dark Phoenix Saga” — which elevated the title into the top-selling American comic book. Post X-Men Austin left Uncanny X-Men in 1981 and has since worked on a variety of titles for both Marvel & DC, including Doctor Strange (over Paul Smith and Dan Green pencils), Superman vol. 2 (over Byrne), Justice League (over Kevin Maguire) and Green Lantern (over Darryl Banks). Austin contributed to several anniversary issues for DC including Justice League of America #200 (March 1982), Superman #400 (Oct. 1984) and Batman #400 (Oct. 1986). He was the regular inker of DC’s Superman Adventures for nearly six years, from 1996–2002. His inking work since 2002 has included over fifteen years of inking the Sonic the Hedgehog comic book series for Archie Comics, which he continued until the series cancellation in 2017.

John Byrne is one of the most storied creators in the history of comics. Beginning his career at Charlton he quickly moved over to Marvel Comics where he established himself early on as a workhorse and fan favorite, he would draw early appearances of Iron Fist before landing the gig working with Chris Claremont on X-Men. Claremont and Byrne would create several of the most memorable storylines in the history of the X-Men, their Dark Phoenix Saga and Days of Future Past stories have been adapted into three feature films. Byrne would convince Claremont to not kill Wolverine, proving to be one of the most lucrative decisions in Marvel's history, he would also introduce Kitty Pryde and Alpha Flight during this time. After his work on X-Men, Byrne would have a short run on The Avengers before launching his second classic comic run, this time on Marvel's first family The Fantastic Four, writing and drawing the title for five years. Byrne would leave Marvel for DC in the mid 1980s where he was tasked with revamping their flagship Superman titles, he would draw two Superman titles a month while writing a third. After two years at DC, Byrne returned to Marvel where he would create memorable stints on She-Hulk, Namor The Sub-Mariner, and Iron Man. In the 90's Byrne would work on several creator owner titles at Dark Horse, including his Next Men (which would introduce Mike Mignola's Hellboy), Babe and Danger Unlimited. In the years that followed Byrne would create many more books, often working on titles that inspired him as a boy including a revamp of Jack Kirby's Fourth World and DC's Doom Patrol and The Demon.


    description
    X-MEN (1963-2011) #126
    Marvel CGC NM: 9.4
    Off-White to White pgs; Census Rank 3 Highest Graded; Universal holder; Unrestored; CGC#0122688003
    Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
    Off-White to White pgs; Census Rank 3 Highest Graded; Universal holder; Unrestored; CGC#0122688003
    Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
    Buy Confirmation
    You are about to buy this item for , and will be legally obligated under the terms of our User Agreement to pay for it in a timely fashion. Continue?
    Offer Confirmation
    You are about to submit an offer of . If accepted, you are legally obligated to purchase the book. Are you sure you want to continue?
    description
    X-MEN (1963-2011) #126
    Marvel CGC NM: 9.4
    Off-White to White pgs; Census Rank 3 Highest Graded; Universal holder; Unrestored; CGC#0110970040
    Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
    Off-White to White pgs; Census Rank 3 Highest Graded; Universal holder; Unrestored; CGC#0110970040
    Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
    Buy Confirmation
    You are about to buy this item for , and will be legally obligated under the terms of our User Agreement to pay for it in a timely fashion. Continue?
    Offer Confirmation
    You are about to submit an offer of . If accepted, you are legally obligated to purchase the book. Are you sure you want to continue?
    description
    X-MEN (1963-2011) #126
    Marvel CGC NM: 9.4
    White Pages; 3rd Highest Graded; Universal holder; Unrestored; CGC#3975646014
    Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
    White Pages; 3rd Highest Graded; Universal holder; Unrestored; CGC#3975646014
    Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
    Buy Confirmation
    You are about to buy this item for , and will be legally obligated under the terms of our User Agreement to pay for it in a timely fashion. Continue?
    Offer Confirmation
    You are about to submit an offer of . If accepted, you are legally obligated to purchase the book. Are you sure you want to continue?
    description
    X-MEN (1963-2011) #126
    Marvel CGC NM: 9.4
    Off-White to White Pages; 3rd Highest Graded; Unrestored; CGC#4039979017
    Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
    Off-White to White Pages; 3rd Highest Graded; Unrestored; CGC#4039979017
    Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
    Buy Confirmation
    You are about to buy this item for , and will be legally obligated under the terms of our User Agreement to pay for it in a timely fashion. Continue?
    Offer Confirmation
    You are about to submit an offer of . If accepted, you are legally obligated to purchase the book. Are you sure you want to continue?
    description
    X-MEN (1963-2011) #126
    Marvel NM+: 9.6
    white pgs
    Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
    white pgs
    Byrne art; Proteus & Mastermind app; COMIC BOOK IMPACT rating of 6 (CBI)
    Buy Confirmation
    You are about to buy this item for , and will be legally obligated under the terms of our User Agreement to pay for it in a timely fashion. Continue?
    Highest Offer: $85
    Offer Confirmation
    You are about to submit an offer of . If accepted, you are legally obligated to purchase the book. Are you sure you want to continue?
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