Welcome back. Please log in.

brittle
Gil Kane cvr/art; GL origin retold, 1st app of the Guardians of the Universe; COMIC BOOK IMPACT rating of 8 (CBI)


After the runaway success of the Flash's reintroduction, DC Publisher Julius Schwartz and his hungry staff of writers and artists hurriedly resuscitated more of their beloved Golden Age favorites. One of the indisputable successes was the reboot of the mystical Green Lantern franchise, featuring a new look by industry favorite Gil Kane. DC was placing all its bets on the Atomic-Age breed of heroes, expecting that they would break the company's long dry spell on the stands. Boomer readers were instantly transfixed by the cleverly boyish cover image. In the Silver Age iteration of Green Lantern, Hal Jordan receives his power ring from dying alien Abin Sur, resulting in an audience with the Guardians of the Universe, who deem him worthy to take the place of their fallen charge. Jordan soon heads off to Calor to battle a volcanic monster, thus launching the revamped version of the Green Lantern on his star-bound service in defense of the cosmos.




Artists Information

Joe Giella is an American comic book artist best known as a DC Comics inker during the late 1950s and 1960s Silver Age of comic books. Giella's career began in the 40's at Hillman and later working with C.C. Beck on Captain Marvel stories at Fawcett. He would also assist on Captain America, Human Torch, Sub-Mariner and other stories at Timely. It was the Silver Age where he would come to his most prominence, working at DC on many of their biggest titles, including Batman, Green Lantern and Strange Adventures, working often with artist Carmine Infantino.

Gil Kane was a Latvian-born American comics artist whose career spanned the 1940s to the 1990s and virtually every major comics company and character. Kane co-created the modern-day versions of the superheroes Green Lantern and the Atom for DC Comics, and co-created Iron Fist with Roy Thomas for Marvel Comics. He was involved in such major storylines as that of The Amazing Spider-Man #96–98, which, at the behest of the U.S. Department of Health, Education, and Welfare, bucked the then-prevalent Comics Code Authority to depict drug abuse, and ultimately spurred an update of the Code. Kane additionally pioneered an early graphic novel prototype, His Name Is... Savage, in 1968, and a seminal graphic novel, Blackmark, in 1971. In 1997, he was inducted into both the Will Eisner Comic Book Hall of Fame and the Harvey Award Jack Kirby Hall of Fame.