SAVAGE SHE-HULK, THE (1980-82) #4
VF-: 7.5
(Stock Image)
DESCRIPTION
forklift battle cover
Artists Information
Jack Abel was an American comic book artist best known as an inker for leading publishers DC Comics and Marvel Comics. He was DC's primary inker on the Superman titles in the late 1960s and early 1970s, and inked penciler Herb Trimpe's introduction of the popular superhero Wolverine in The Incredible Hulk #181. He sometimes used the pseudonym Gary Michaels.
Al Milgrom is an American comic book writer, penciler, inker and editor, primarily for Marvel Comics. He is known for his 10-year run as editor of Marvel Fanfare; his long involvement as writer, penciler, and inker on Peter Parker, The Spectacular Spider-Man; his four-year tenure as West Coast Avengers penciler; and his long stint as the inker of X-Factor. He often inked Jim Starlin’s work. Milgrom is the co-creator of DC superhero Firestorm.
Inker at Marvel best known for his work on Jack Kirby's pencils for the Fantastic Four, also worked for Fawcett and Lev Gleason in the Golden Age
Mike Vosburg is an American comic book artist primarily known for his work on the Tales from the Crypt TV series. Mike Vosburg’s comics career began in the 1960’s, when as a teenager he started Masquerader, one of the first comic book fanzines. He began working in underground comics in the 1970’s, with creations such as Split Screen, written by Tom Veitch. Later in the 1970’s & 1980’s, Vosburg contributed to horror titles by Western Publishing and Charlton Comics. His story “Mail Order Brides” published in Kitchen Sink Press’s Bizarre Sex #3, was in a similar horror/mystery vein. Around this time, Vosburg also did various work for DC Comics and Marvel Comics. He is probably best known for his work from that period on Savage She-Hulk, Sisterhood of Steel, and G.I. Joe: A Real American Hero. He also worked on the Valiant Comics’ titles Bloodshot and Archer & Armstrong. From 1989 to 1996, for the TV series Tales from the Crypt, Vosburg illustrated comic book covers designed to look like the original 1950’s comics. Originally hired to do concept drawings for the wraparound sequence, Vosburg ended up storyboarding the title segment as well as illustrating many book covers used in the show’s 93 episodes. While Vosburg still does occasional comics work such as covers and pinups, or his self-published Lori Lovecraft books, most of his time is currently devoted to television and film. He has done storyboarding work for such directors as John Frankenheimer, Robert Zemeckis, Allan Arkush, and Gilbert Adler; on projects as diverse as David Mamet’s The Water Engine, the Elian Gonzalez Story, Prince Charming, and Demon Knight. He has also done storyboarding for music videos, such as “Stan” and “Let Me Blow Ya Mind.”
Artists Information
Jack Abel was an American comic book artist best known as an inker for leading publishers DC Comics and Marvel Comics. He was DC's primary inker on the Superman titles in the late 1960s and early 1970s, and inked penciler Herb Trimpe's introduction of the popular superhero Wolverine in The Incredible Hulk #181. He sometimes used the pseudonym Gary Michaels.
Al Milgrom is an American comic book writer, penciler, inker and editor, primarily for Marvel Comics. He is known for his 10-year run as editor of Marvel Fanfare; his long involvement as writer, penciler, and inker on Peter Parker, The Spectacular Spider-Man; his four-year tenure as West Coast Avengers penciler; and his long stint as the inker of X-Factor. He often inked Jim Starlin’s work. Milgrom is the co-creator of DC superhero Firestorm.
Inker at Marvel best known for his work on Jack Kirby's pencils for the Fantastic Four, also worked for Fawcett and Lev Gleason in the Golden Age
Mike Vosburg is an American comic book artist primarily known for his work on the Tales from the Crypt TV series. Mike Vosburg’s comics career began in the 1960’s, when as a teenager he started Masquerader, one of the first comic book fanzines. He began working in underground comics in the 1970’s, with creations such as Split Screen, written by Tom Veitch. Later in the 1970’s & 1980’s, Vosburg contributed to horror titles by Western Publishing and Charlton Comics. His story “Mail Order Brides” published in Kitchen Sink Press’s Bizarre Sex #3, was in a similar horror/mystery vein. Around this time, Vosburg also did various work for DC Comics and Marvel Comics. He is probably best known for his work from that period on Savage She-Hulk, Sisterhood of Steel, and G.I. Joe: A Real American Hero. He also worked on the Valiant Comics’ titles Bloodshot and Archer & Armstrong. From 1989 to 1996, for the TV series Tales from the Crypt, Vosburg illustrated comic book covers designed to look like the original 1950’s comics. Originally hired to do concept drawings for the wraparound sequence, Vosburg ended up storyboarding the title segment as well as illustrating many book covers used in the show’s 93 episodes. While Vosburg still does occasional comics work such as covers and pinups, or his self-published Lori Lovecraft books, most of his time is currently devoted to television and film. He has done storyboarding work for such directors as John Frankenheimer, Robert Zemeckis, Allan Arkush, and Gilbert Adler; on projects as diverse as David Mamet’s The Water Engine, the Elian Gonzalez Story, Prince Charming, and Demon Knight. He has also done storyboarding for music videos, such as “Stan” and “Let Me Blow Ya Mind.”
SAVAGE SHE-HULK, THE (1980-82) #4
Marvel VF+: 8.5
ow/w pages
forklift battle cover
forklift battle cover
ow/w pages
forklift battle cover
forklift battle cover
forklift battle cover
forklift battle cover