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The Bewitched Batman; COMIC BOOK IMPACT rating of 6 (CBI)



Artists Information

Swan was a house artist at DC working on titles like Tommy Tomorrow, he began gravitating towards Superman and his related books, Superboy, World's Finest and Jimmy Olsen, he would eventually leave DC thanks to his personality issue with Editor In Chief Mort Weisinger. He would eventually return and go on to be the artist that defined the look of Superman in the Silver Age, eventually becoming the editor of the title, but after thirty years of keeping up standards of all things Superman, Swan was given the boot in favor of John Byrne's Superman reboot, Swan's comic work began to taper off after this dismissal and he eventually retired, but will forever be recognized as the Silver Age Superman's finest artist.

Lee Elias was a British-American comics artist. He was best known for his work on the Black Cat comic book published by Harvey Comics in the 1940s. Lee Elias left comic books after the 1954 publication of Fredric Wertham's anti-comics book Seduction of the Innocent, which used four of his Black Cat panels as examples of "depraved" comic art. In 1972, Elias came back to American comic books, working mainly on DC's various horror titles and secondary Marvel Comics titles including Power Man and The Human Fly. His last major project was The Rook series for Warren Publishing.

James Noel Mooney was an American comics artist best known for his long tenure at DC Comics and as the signature artist of Supergirl, as well as a Marvel Comics inker and Spider-Man artist, both during what comics historians and fans call the Silver Age of comic books. He sometimes inked under the pseudonym Jay Noel.