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classic Wolverton cover; Berni Wrightson story (6/74) COMIC BOOK IMPACT rating of 6 (CBI)



Artists Information

Starting out as an amateur, a meeting with Frank Frazetta at a comic convention in 1967 inspired Bernie Wrightson to pursue his dream of becoming a comic book artist, he began working for DC after contributing work samples to Dick Giordano, in the Silver Age he would illustrate short stories in horror anthologies, in one of those tales he invented the Swamp Thing, who would be granted his own title, which Bernie drew the first ten issues of, then he moved over to Warren, known for their macabre content, and grew his fan base, at one point he was living in the same building as Al Milgrom, Howard Chaykin and Walt Simonson. He left comics to form an artist's collective known as 'The Studio' where he would concentrate on posters and lithographs, portfolios and the like, his adaptation of Mary Shelley's Frankenstein is commonly regarded as his finest achievement. His pen and ink and brush work on this black and white collection is elegant and emotionally resonant. He also collaborated with Stephen King on adapting his work like Creepshow. In later years he did spot work on comics, while continuing his poster work, notably illustrating the popular Batman: The Cult series. He passed away in 2017 after a long battle with brain cancer.

Basil Wolverton is primarily recognized for his bizarre and grotesque caricatures that he made his name with in the second half of his career. Starting out as an independent artist, Wolverton worked in a relatively normal, but personal, style throughout the Golden Age, contributing sci-fi and GGA comedy pages to a variety of publishers, including a tenure at Timely. After winning a national contest to draw "Lena the Hyena" which was published in Al Capp's Li'l Abner strip, Basil switched over to his renown "spaghetti and meatballs" style, which consisted of highly detailed and disturbing malformed creatures. Working at Mad Magazine for a spell, Wolverton built up his distinct style and would continue to create shocking and unforgettable images for comics like Plop! through the Bronze Age until his passing in 1978. Since his death, recognition and fanfare for the artist's unique talents have grown in stature, leading his original pages to go for impressive numbers, as well as influencing underground and independent artists who came after him.