(Stock Image)
FYI there's no need to include decimal points(.).
Offer Confirmation
You are about to submit an offer of . If accepted, you are legally obligated to purchase the book. Are you sure you want to continue?
FYI there's no need to include decimal points(.).
Buy Confirmation
You are about to buy this item for , and will be legally obligated under the terms of our User Agreement to pay for it in a timely fashion. Continue?
PUBLISHER: DC
COMMENTS: ow/w pgs; amat ct
robot cover
Read Description ▼
ow/w pgs; amat ct
robot cover
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
In the 1950s, he worked for companies like Harvey, Toby Press, Charlton and Ziff Davis, doing western, horror and romance titles. He also did syndicated strips like 'Mister Rubbles' and 'Sam Hill'. For Gilberton's Classics Illustrated, Sparling drew 'Robin Hood' and Mark Twain's 'A Connecticut Yankee in King Arthur's Court'. In the late 1960s, Sparling was additionally present in Eerie with several horror stories. From 1960 to 1972, he did the daily 'Honor Eden' for the McClure Syndicate. Jack Sparling remained active until the late 1980s. In the final stages of his comic book career, he worked mainly on Western Publishing titles like 'The Twilight Zone' and 'Turok', but he also did contributions to DC and Marvel titles.
Moldoff is best known for his early work on DC's Hawkman and Hawkgirl, and was one of Bob Kane's primary "ghost artists" on Batman. He co-created the Batman villains Poison Ivy, Mr. Freeze, the second Clayface, and Bat-Mite, as well as the original heroes Bat-Girl, Batwoman, and Ace the Bat-Hound.
George Roussos also known under the pseudonym George Bell, was an American comic book artist best known as one of Jack Kirby's Silver Age inkers, including on landmark early issues of Marvel Comics' Fantastic Four. Over five decades, he created artwork for numerous publishers, including EC Comics, and he was a staff colorist for Marvel Comics.