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Bill Everett cover; police officer threatens kids with electrocution cvr



Artists Information

Bill Everett was an American comic book writer-artist best known for creating Namor the Sub-Mariner, as well as co-creating Daredevil with writer Stan Lee for Marvel Comics. Everett fell into comics almost by accident in the industry's earliest days, creating the character Amazing-Man for Centaur Publications in 1939. That same year saw Everett contributing the first Sub-Mariner story for Marvel Mystery Comics #1, the very first book from Timely Comics (which would eventually become Marvel Comics). Sub-Mariner would prove to be one of Timely's earliest hits, and Everett would continue drawing Namor's adventures until 1949. In the '50s, Everett would continue working for what was now Atlas Comics on numerous titles, occasionally reviving Sub-Mariner. With the explosion of the Marvel Age in the '60s, Everett joined Stan Lee in co-creating and drawing the first issue of Daredevil. He also found regular work contributing to Tales to Astonish and Strange Tales. The Sub-Mariner would return again in Tales to Astonish #85, continuing there (and then in his own title) with sporadic contributions from Everett. Bill Everett died suddenly at the age of 55 in 1973.

Eugene Jules Colan was an American comic book artist best known for his work for Marvel Comics, where his signature titles include the superhero series Daredevil, the cult-hit satiric series Howard the Duck, and The Tomb of Dracula, considered one of comics' classic horror series. He co-created the Falcon, the first African-American superhero in mainstream comics, Carol Danvers, who would become Ms. Marvel and Captain Marvel, and the supernatural vampire hunter Blade.

Marie Severin was an American comics artist and colorist best known for her work for Marvel Comics and the 1950s' EC Comics. She is an inductee of the Will Eisner Comics Hall of Fame and the Harvey Awards Hall of Fame. Frank Jacobs, in his 1972 biography of EC publisher William M. Gaines, wrote, "There was Marie Severin, Gaines's colorist, and a very moral Catholic, who made her feelings known by coloring dark blue any panel she thought was in bad taste. [EC editor Al] Feldstein called her 'the conscience of EC."'