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Artists Information

Terry Kevin Austin is an American comic book artist who is best known for his exceptional inking talents. Austin’s inking — especially in the period of the 1970s and early 1980s — is notable for its smooth, precise rendering; and extremely detailed backgrounds, making his embellishing work easily identifiable. His style has been highly influential on a subsequent generation of inkers including Al Gordon, Andy Lanning, Scott Williams and Rob Liefeld. Austin grew up in Detroit, Michigan and attended Wayne State University. He started inking comics as an assistant to Dick Giordano and Neal Adams, doing “Crusty Bunker” work for Adams’ Continuity Associates. Austin came to prominence in 1976–1977, inking Marshall Rogers’ pencils on a celebrated run of Batman stories for DC Comics’ Detective Comics collaborating with writer Steve Englehart. During this same period, Austin inked Michael Netzer (Nasser) on DC’s Martian Manhunter in Adventure Comics and Green Arrow/Black Canary in World’s Finest Comics, as well as Al Milgrom on Marvel Comics’ Captain Marvel. He later teamed with Rogers again on Marvel’s Doctor Strange. X-Men In 1977, Austin and penciler John Byrne became the new art team on Uncanny X-Men. With writer Chris Claremont they produced a series of stories — particularly “The Dark Phoenix Saga” — which elevated the title into the top-selling American comic book. Post X-Men Austin left Uncanny X-Men in 1981 and has since worked on a variety of titles for both Marvel & DC, including Doctor Strange (over Paul Smith and Dan Green pencils), Superman vol. 2 (over Byrne), Justice League (over Kevin Maguire) and Green Lantern (over Darryl Banks). Austin contributed to several anniversary issues for DC including Justice League of America #200 (March 1982), Superman #400 (Oct. 1984) and Batman #400 (Oct. 1986). He was the regular inker of DC’s Superman Adventures for nearly six years, from 1996–2002. His inking work since 2002 has included over fifteen years of inking the Sonic the Hedgehog comic book series for Archie Comics, which he continued until the series cancellation in 2017.

Mark Bagley is an American comics artist. He has worked for Marvel Comics on such titles as The Amazing Spider-Man, Thunderbolts, New Warriors and Ultimate Spider-Man and for DC Comics on Justice League of America, Batman and Trinity. In 1983, Marvel Comics Editor-in-Chief Jim Shooter created the Marvel Try-out Book to draw new talent into the comic book industry. The contest involved a deconstructed comic book which contestants could complete and submit to Marvel. The winner would be awarded a professional assignment with Marvel. At the time, Bagley was 27 years old and living in Marietta, Georgia. He had almost given up on trying to find a job in comics and was satisfied with his position at Lockheed Martin. Bagley was reluctant to enter the contest because of the cost of the Try-out Book itself. His friend, Cliff Biggers, gave him the book and persuaded Bagley to enter the contest. Bagley won first place for penciling, finishing ahead of thousands of other hopefuls. After winning the contest, he didn’t hear from Marvel for several months. After approaching Shooter at a comic convention, Bagley was assigned to a series of low-profile penciling jobs. His comics work during this period included Visionaries, a comic book based on a 1980s toy line, various titles in the New Universe line, backup stories in Captain America and the first series of Marvel Universe Cards. In 1989, Tom DeFalco and Ron Frenz created a team of teenage superheroes called the New Warriors. The following year, Marvel launched a new series based on these heroes and assigned Bagley and writer Fabian Nicieza to the title. Bagley stayed on the title until #25, at which point he left to transition directly onto The Amazing Spider-Man. When Erik Larsen left The Amazing Spider-Man in 1991, Bagley was assigned to the title. He and David Michelinie introduced the Carnage character in The Amazing Spider-Man #361 (April 1992) and produced the Venom: Lethal Protector limited series in 1993. Although not the first artist to draw either Venom or Eddie Brock, Bagley’s version of both characters are widely considered to be the most popular versions of them by fans. Bagley was one of the artists on the “Maximum Carnage” and “Clone Saga” storylines which ran through the Spider-Man titles. Bagley’s artwork was used extensively for licensed material, appearing on everything from plates and cups to credit cards and even video games such as The Amazing Spider-Man: Lethal Foes released exclusively in Japan. In 2012, Comic Book Resources ranked Bagley fourth on its list of the “50 Greatest Spider-Man Creators”. In 1997, Bagley collaborated with writer Kurt Busiek on a new team of superheroes, the Thunderbolts, a group of super-villains disguised as super-heroes, with the final page of the first issue of the series revealing that the Thunderbolts were actually the Masters of Evil, a surprise twist carefully guarded by Marvel. In 2000, Marvel’s then-publisher Bill Jemas was looking to relaunch Marvel’s primary franchises in a way that would make them accessible to newer readers. Ultimate Spider-Man would be a title that began the Spider-Man mythos from the beginning set in modern times. Bagley was assigned to Ultimate Spider-Man with writer Brian Michael Bendis. The Bendis/Bagley partnership of 111 consecutive issues made their partnership one of the longest in American comic book history, and the longest run by a Marvel creative team, beating out Stan Lee and Jack Kirby on Fantastic Four. Bagley collaborated with Bendis on The Pulse and a four-issue arc on Mighty Avengers. Bagley’s long and successful run on Ultimate Spider-Man earned him recognition in Wizard Magazine’s top ten artists of the 2000s in Wizard #219. Ranked #2 on the list, article writer Mark Allen Haverty noted of Bagley, “no other artist came close to the number of comics Bagley sold [in the 2000s], nor the number of Top 20 comics he was a part of.”

Dan Panosian is an American comic book artist, with extensive credits as both a penciler and an inker and has additional credits as an advertising and storyboard artist. Worked on X-Men, Spawn and Pitt.

Kerry Gammill is an American comic book artist whose career dates back to 1978. He has had memorable stints on Superman and Action Comics at DC and Power Man and Iron Fist at Marvel. He left comics in the 90's to work in TV/movie and video game design.

Chris Bachalo is a Canadian/American comic book artist/creator who's known for his cartoon-like style. Fans instantly recognize his art as he has worked for a number of publishers including DC, Image and Cliffhanger. Bachalo is most known for his work on Neil Gaiman's Death and is also famous for his work with Marvel where he co-created the comic Generation X and also penciled the famous X-Men story, Age of Apocalypse.

Jimmy Palmiotti is a multi-award-winning writer and comic artist and the co-founder of Event Comics, Black Bull Media, Marvel Knights, and most recently Paperfilms, where he currently partners with his wife Amanda Conner and Justin Gray. Together they have created and co-created: Monolith, 21 Down, The Resistance, and The Twilight Experiment for DC Comics as well as The New West, The Pro, Gatecrasher, Beautiful Killer, Ash, Cloudburst, Trigger Girl 6, Splatterman, Thrill Seeker, Trailblazer, Ballerina, and the TV series, Painkiller Jane. Palmiotti’s other comics work includes Powergirl and Jonah Hex for DC Comics.

Joseph Quesada is an American comic book artist, writer, editor, and television producer. He became known in the 1990s for his work on various Valiant Comics books, such as X-O Manowar, Ninjak and Solar, Man of the Atom. He later worked on numerous books for DC Comics and Marvel Comics, such as Batman: Sword of Azrael and X-Factor, before forming his own company, Event Comics, where he published his creator-owned character, Ash. In 1998 he became an editor of Marvel Comics' Marvel Knights line, before becoming editor-in-chief of the company in 2000. He was named Chief Creative Officer of Marvel Entertainment in 2010 and left his editor-in-chief role in January 2011, being replaced by Axel Alonso. His position was re-titled as executive vice president and creative director in October 2019.