SENSATION COMICS #102
G/VG: 3.0
(Stock Image)
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Accepting Offers
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DESCRIPTION
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Irwin Hasen bondage cover/art, Infantino art
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
Harry George Peter usually cited as H. G. Peter, was a newspaper illustrator and cartoonist known for his work on the Wonder Woman comic book and for Bud Fisher of the San Francisco Chronicle.
Inker, started out in the 1940s, ended up at DC Comics working with Gil Kane, Mike Sekowsky, and Carmine Infantino on titles including Wonder Woman, All Star Comics, Justice League of America, and Our Army at War.
Irwin Hasen was an American cartoonist best known for Dondi comic strip. Began comics with Harry "A" Chester shop, contributing to The Green Hornet, The Fox, Secret Agent Z-2, Bob Preston, Explorer, Cat-Man and The Flash. At this time, he created the feature Citizen Smith, Son of the Unknown Soldier. In 1941, he worked for Sheldon Mayer. His art during the 1940's also included Green Lantern and the creation of the National Comics/DC Comics character Wildcat. He also did occasional art work for Wonder Woman in 1943, particularly Sensation Comics #19. During WWII Hasen edited the Fort Dix Post newspaper, returned to DC after the war, and was also an instructor at the Joe Kubert School, NJ and School of Visual Arts, NY.
Irwin Hasen bondage cover/art, Infantino art
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
Harry George Peter usually cited as H. G. Peter, was a newspaper illustrator and cartoonist known for his work on the Wonder Woman comic book and for Bud Fisher of the San Francisco Chronicle.
Inker, started out in the 1940s, ended up at DC Comics working with Gil Kane, Mike Sekowsky, and Carmine Infantino on titles including Wonder Woman, All Star Comics, Justice League of America, and Our Army at War.
Irwin Hasen was an American cartoonist best known for Dondi comic strip. Began comics with Harry "A" Chester shop, contributing to The Green Hornet, The Fox, Secret Agent Z-2, Bob Preston, Explorer, Cat-Man and The Flash. At this time, he created the feature Citizen Smith, Son of the Unknown Soldier. In 1941, he worked for Sheldon Mayer. His art during the 1940's also included Green Lantern and the creation of the National Comics/DC Comics character Wildcat. He also did occasional art work for Wonder Woman in 1943, particularly Sensation Comics #19. During WWII Hasen edited the Fort Dix Post newspaper, returned to DC after the war, and was also an instructor at the Joe Kubert School, NJ and School of Visual Arts, NY.
Irwin Hasen bondage cover/art, Infantino art
Irwin Hasen bondage cover/art, Infantino art