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crm/ow pgs; Mod/Ext (P): ct, tr sls,spine reinforcement, pc added 1st pg, clnd, pressed
1st appearance of Justice League of America (Batman, Superman, Flash, Wonder Woman, Green Lantern, Aquaman); 1st app. of Starro the Conqueror; Murphy Anderson cover & art


Brave and the Bold #28 became a top collectible of the early Silver Age with the first appearance of the Justice League of America. DC editor Julius Schwartz had already started the heroic Silver Age revival with the debut of Barry Allen as the Flash in Showcase #4. He tasked Gardner Fox with updating the Golden Age's Justice Society for DC's modern reinventions, launching the new superteam in the anthology title The Brave and the Bold. "Starro the Conqueror" was an instant classic comic, introducing both the JLA and the intergalactic starfish who'd become one of DC's favorite villains. The story was also a comeback for Aquaman and the Martian Manhunter, who both finally made their first U.S. cover appearances here. (There's also the first appearance of Snapper Carr as the hipster sidekick who was common in pop culture after Edd Byrne's success as "Kookie" in the hit TV series 77 Sunset Strip .)

Readers responded enthusiastically to this debut, leading to a great scarcity of this issue in higher grades. There would only be two more Brave and the Bold turns before the Justice League landed their own title. (This first appearance already has the JLA meeting in their Secret Sanctuary inside a cavernous Rhode Island mountain, which would remain their headquarters until they moved to a satellite in 1970.) The value of Brave and the Bold #28 has only increased in recent years as Justice League members hit the big screen. 2017 saw the first Justice League movie, and fans are eagerly anticipating James Gunn's vision for the team in his own DC Extended Universe.
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Artists Information

Joe Giella is an American comic book artist best known as a DC Comics inker during the late 1950s and 1960s Silver Age of comic books. Giella's career began in the 40's at Hillman and later working with C.C. Beck on Captain Marvel stories at Fawcett. He would also assist on Captain America, Human Torch, Sub-Mariner and other stories at Timely. It was the Silver Age where he would come to his most prominence, working at DC on many of their biggest titles, including Batman, Green Lantern and Strange Adventures, working often with artist Carmine Infantino.

Mike Sekowsky was an American comics artist known as the penciler for DC Comics' Justice League of America during most of the 1960s (including their initial appearance in Brave and the Bold #28), and as the regular writer and artist on Wonder Woman during the late 1960s and early 1970s. Sekowsky's long career began in the early 40s for Timely Comics drawing the adventures of Captain America, and Sub-Mariner among others in titles such as All Winners Comics, Daring Comics, Marvel Mystery Comics, and Young Allies Comics. He would transition to DC Comics in the 1950s where we would work on Romance and Science Fiction stories including drawing the first appearance of Adam Strange in Showcase #17. He would co-create the Justice League of America with Gardner Fox and continue as it's artist for over 60 issues. Sekowsky would go on to have memorable runs as artist and writer on Metal Men, Wonder Woman, and the Supergirl feature in Adventure Comics.

Inker, started out in the 1940s, ended up at DC Comics working with Gil Kane, Mike Sekowsky, and Carmine Infantino on titles including Wonder Woman, All Star Comics, Justice League of America, and Our Army at War.