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AMAZING SPIDER-MAN (1963-98; 2003-13) #241
VF: 8.0
(Stock Image)
SOLD ON:  Friday, 09/13/2019 8:33 AM
$5
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PUBLISHER: Marvel
COMMENTS: ow pgs
origin the Vulture; COMIC BOOK IMPACT rating of 5 (CBI)
Mighty Marvel Maniac Collection
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DESCRIPTION
ow pgs
origin the Vulture; COMIC BOOK IMPACT rating of 5 (CBI)
Mighty Marvel Maniac Collection



Artists Information

Terry Kevin Austin is an American comic book artist who is best known for his exceptional inking talents. Austin’s inking — especially in the period of the 1970s and early 1980s — is notable for its smooth, precise rendering; and extremely detailed backgrounds, making his embellishing work easily identifiable. His style has been highly influential on a subsequent generation of inkers including Al Gordon, Andy Lanning, Scott Williams and Rob Liefeld. Austin grew up in Detroit, Michigan and attended Wayne State University. He started inking comics as an assistant to Dick Giordano and Neal Adams, doing “Crusty Bunker” work for Adams’ Continuity Associates. Austin came to prominence in 1976–1977, inking Marshall Rogers’ pencils on a celebrated run of Batman stories for DC Comics’ Detective Comics collaborating with writer Steve Englehart. During this same period, Austin inked Michael Netzer (Nasser) on DC’s Martian Manhunter in Adventure Comics and Green Arrow/Black Canary in World’s Finest Comics, as well as Al Milgrom on Marvel Comics’ Captain Marvel. He later teamed with Rogers again on Marvel’s Doctor Strange. X-Men In 1977, Austin and penciler John Byrne became the new art team on Uncanny X-Men. With writer Chris Claremont they produced a series of stories — particularly “The Dark Phoenix Saga” — which elevated the title into the top-selling American comic book. Post X-Men Austin left Uncanny X-Men in 1981 and has since worked on a variety of titles for both Marvel & DC, including Doctor Strange (over Paul Smith and Dan Green pencils), Superman vol. 2 (over Byrne), Justice League (over Kevin Maguire) and Green Lantern (over Darryl Banks). Austin contributed to several anniversary issues for DC including Justice League of America #200 (March 1982), Superman #400 (Oct. 1984) and Batman #400 (Oct. 1986). He was the regular inker of DC’s Superman Adventures for nearly six years, from 1996–2002. His inking work since 2002 has included over fifteen years of inking the Sonic the Hedgehog comic book series for Archie Comics, which he continued until the series cancellation in 2017.

Frank Giacoia (July 6, 1924 – February 4, 1988) was an American comics artist known primarily as an inker. He sometimes worked under the name Frank Ray, Giacoia made the rounds to almost every Golden Age publisher, notably working on Flash and Batman stories, he also worked at Timely during this period. In the Silver Age Frank worked on many Jack Kirby pages, particularly in Captain America, and he also notably inked the first appearance of the Punisher in AMS #129.

John Salvatore Romita, professionally known as John Romita Jr. is an American comics artist best known for his extensive work for Marvel Comics from the 1970s to the 2010s. He is the son of award-winning artist John Romita Sr. Romita's early popularity began with his run on Iron Man with writer David Michelinie and artist Bob Layton which began in 1978. In the early 1980s, he had his first regular run on the series The Amazing Spider-Man and also was the artist for the launch of the Dazzler series. From 1983 to 1986 he had a run on the Uncanny X-Men with Dan Green and author Chris Claremont. From 1988 to 1990, Romita had an extended stint on Daredevil. He worked on a host of Marvel titles during the 1990s, including a return to Iron Man for the second "Armor Wars" story arc, written by John Byrne; The Punisher War Zone;[18] the Cable miniseries;[19] and the Punisher/Batman crossover. In 2006, Romita collaborated with writer Neil Gaiman on a seven-issue miniseries reinterpretation of Jack Kirby's characters the Eternals. In 2014 Romita Jr. became the penciller of the DC Comics flagship title Superman, starting with issue #32, in collaboration with writer Geoff Johns.


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