INCREDIBLE HULK (1962-99) #104
VF-: 7.5
(Stock Image)
Highest Offer
2
Offers
PUBLISHER: Marvel
COMMENTS: Classic Rhino v. Hulk issue; COMIC BOOK IMPACT rating of 6` (CBI)
Read Description ▼
DESCRIPTION
Classic Rhino v. Hulk issue; COMIC BOOK IMPACT rating of 6` (CBI)
Artists Information
Frank Giacoia (July 6, 1924 – February 4, 1988) was an American comics artist known primarily as an inker. He sometimes worked under the name Frank Ray, Giacoia made the rounds to almost every Golden Age publisher, notably working on Flash and Batman stories, he also worked at Timely during this period. In the Silver Age Frank worked on many Jack Kirby pages, particularly in Captain America, and he also notably inked the first appearance of the Punisher in AMS #129.
Marie Severin was an American comics artist and colorist best known for her work for Marvel Comics and the 1950s' EC Comics. She is an inductee of the Will Eisner Comics Hall of Fame and the Harvey Awards Hall of Fame. Frank Jacobs, in his 1972 biography of EC publisher William M. Gaines, wrote, "There was Marie Severin, Gaines's colorist, and a very moral Catholic, who made her feelings known by coloring dark blue any panel she thought was in bad taste. [EC editor Al] Feldstein called her 'the conscience of EC."'
Artists Information
Frank Giacoia (July 6, 1924 – February 4, 1988) was an American comics artist known primarily as an inker. He sometimes worked under the name Frank Ray, Giacoia made the rounds to almost every Golden Age publisher, notably working on Flash and Batman stories, he also worked at Timely during this period. In the Silver Age Frank worked on many Jack Kirby pages, particularly in Captain America, and he also notably inked the first appearance of the Punisher in AMS #129.
Marie Severin was an American comics artist and colorist best known for her work for Marvel Comics and the 1950s' EC Comics. She is an inductee of the Will Eisner Comics Hall of Fame and the Harvey Awards Hall of Fame. Frank Jacobs, in his 1972 biography of EC publisher William M. Gaines, wrote, "There was Marie Severin, Gaines's colorist, and a very moral Catholic, who made her feelings known by coloring dark blue any panel she thought was in bad taste. [EC editor Al] Feldstein called her 'the conscience of EC."'