AMAZING SPIDER-MAN (1963-98; 2003-13) #267
CGC NM/M: 9.8
(Stock Image)
SOLD ON: Tuesday, 01/19/2021 11:39 PM
$60
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PUBLISHER: Marvel
COMMENTS: white pgs
black costume + original costume; subway train cover
Read Description ▼
black costume + original costume; subway train cover
DESCRIPTION
white pgs
black costume + original costume; subway train cover"The Commuter Cometh!" Script by Peter David. Art by Bob McLeod. Cover by Mark Bright and Kyle Baker. The Amazing Spider-Man leaves the big city and travels to the suburbs to catch a robber! But once the web-slinger arrives in Scarsdale, he discovers that suburban life is nothing like his daily life in New York City! Out in suburbia there aren't any tall buildings for web-swinging or rooftops to leap over! So Spidey has to travel by foot and avoid the neighborhood watch patrol! Fortunately the proportionate speed, strength, and agility of a spider play just as well in the 'burbs as they do in Manhattan! And the web-slinger eventually gets his man! Cameo appearances by the Human Torch and Matt Murdock. (Note: Spider-Man wears both of his costumes in this issue -- first the black one and then the traditional red and blue.)
Artists Information
Kyle John Baker is an American cartoonist, comic book writer-artist, and animator known for his graphic novels and for a 2000s revival of the series Plastic Man. Baker has won numerous Eisner Awards and Harvey Awards for his work in the comics field.
Bob McLeod is an American comic book artist best known for co-creating the New Mutants with writer Chris Claremont. McLeod drew the graphic novel and the first three issues of the New Mutants and inked a number of subsequent issues. He penciled some issues of Star Wars and Spider-Man as well. In 1987, he inked Mike Zeck’s pencils on the Kraven’s Last Hunt storyline in the Spider-Man titles.
Bright (credited as M.D. Bright, Mark Bright and Doc Bright) is an American comic book artist whose career began in the late 1970s and had notable runs on Falcon, Power Man and Iron Fist, and Solo Avengers at Marvel before going over to DC where he was the main Green Lantern artist for years, also working on Action Comics and the League of Batmen mini-series. Bright was also the main penciler on Milestone Comics' Icon and Acclaim Comics' Quantum and Woody. He would transition mostly into storyboarding films in the late 1990's.
black costume + original costume; subway train cover"The Commuter Cometh!" Script by Peter David. Art by Bob McLeod. Cover by Mark Bright and Kyle Baker. The Amazing Spider-Man leaves the big city and travels to the suburbs to catch a robber! But once the web-slinger arrives in Scarsdale, he discovers that suburban life is nothing like his daily life in New York City! Out in suburbia there aren't any tall buildings for web-swinging or rooftops to leap over! So Spidey has to travel by foot and avoid the neighborhood watch patrol! Fortunately the proportionate speed, strength, and agility of a spider play just as well in the 'burbs as they do in Manhattan! And the web-slinger eventually gets his man! Cameo appearances by the Human Torch and Matt Murdock. (Note: Spider-Man wears both of his costumes in this issue -- first the black one and then the traditional red and blue.)
Artists Information
Kyle John Baker is an American cartoonist, comic book writer-artist, and animator known for his graphic novels and for a 2000s revival of the series Plastic Man. Baker has won numerous Eisner Awards and Harvey Awards for his work in the comics field.
Bob McLeod is an American comic book artist best known for co-creating the New Mutants with writer Chris Claremont. McLeod drew the graphic novel and the first three issues of the New Mutants and inked a number of subsequent issues. He penciled some issues of Star Wars and Spider-Man as well. In 1987, he inked Mike Zeck’s pencils on the Kraven’s Last Hunt storyline in the Spider-Man titles.
Bright (credited as M.D. Bright, Mark Bright and Doc Bright) is an American comic book artist whose career began in the late 1970s and had notable runs on Falcon, Power Man and Iron Fist, and Solo Avengers at Marvel before going over to DC where he was the main Green Lantern artist for years, also working on Action Comics and the League of Batmen mini-series. Bright was also the main penciler on Milestone Comics' Icon and Acclaim Comics' Quantum and Woody. He would transition mostly into storyboarding films in the late 1990's.